Archive for the “Nice Video” Category

Below are some action shots and projection detail photos from my Devotion Gallery performance this past weekend. Enjoy.

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Hello Friends:

Yours truly will be doing a video performance on 7/17 @ Devotion Gallery in Williamsburg in conjunction with the BIKE BOX project. See below for the details.
Best,

Jonny

July 16, 2010: 6 p.m. – July 25, 2010

Devotion Gallery
54 Maujer Street
near the corner of Maujer and Lorimer Streets
Brooklyn, NY 11206
803-386-8330

Curated/Organized by: free103point9

Join us for an opening reception on Friday July 16, 2010 6 p.m.-10 p.m. to celebrate Sabine Gruffat and Bill Brown’s Bike Box.

Sabine Gruffat is an interdisciplinary artist whose work maneuvers through, manipulates, and challenges prescribed genres and codes. Bill Brown seeks to correlate geographical coordinates with conceptual ones in his work, such as uncovering the memories and histories folded up inside physical landscapes and borders.

The Bike Box is a mobile-media bicycle library and interactive installation housed in the Devotion Gallery. Bike Box allows participants to check out cheap, durable, technology-enhanced bikes and a free open source iPhone application developed by David Gagnon of the Games Learning Society at UW-Madison especially for this project. As participants pedal around central Brooklyn, they are able to contribute site-specific audio through the iPhone application, as well as listen to a curated collection of geo-specific sounds provided by a variety of local land-use experts, historians, poets, artists, and other interpreters.

The Bike Box hopes to explore and give participants access to the layers of lived experience, personal anecdote, and history that are piled up invisibly on every street corner and city block.

The Bike Box will also host a number of performances and special events during the exhbition at Devotion Gallery:

Saturday July 17, 2 p.m.
Sunday July 18, 2 p.m.
Saturday July 24, 2 p.m.
Sunday July 25, 2 p.m.
Sabine Gruffat and Bill Brown will be leading bike tours through Bike Box geo-tagged sites in Brooklyn.

Friday, July 16th, 6 p.m.
Jesse Stiles performs using the Bike Box’s locative sound database as raw material for breaking beats.

Saturday, July 17th, 5 p.m.
Sound and video performance by Jonny Farrow using sounds and images from solo sound walks.

Curated contributions to Bike Box will include:

John Also Bennett‘s contact microphone recordings of audio frequencies emitted by power transformers, electric lights, and air conditioners throughout Brooklyn.

Jonny Farrow‘s contact mic’d bicycle ride around the gallery neighborhood.

Rob Ray
‘s Pedal to the Mental invites cyclists to become “disorienteers” using geographic and environmental queues of Bike Box geotagged locations as launchpads for wonder, confusion, imagination, and adventure!

Dara Greenwald’s exploration of the conflict around the presence, disappearance, re-presence, and final re-direction of a well travelled bike lane in Brooklyn

Huong Ngo‘s interview with Mathieu Néron, the last shoemaker of Québec, collapses Brooklyn’s history as a leading shoemaker at the end of the 19th century with that of Québec City, which shares that industrial past.

Cathleen Grado‘s field recordings drawn from locations in Ridgewood and Bushwick, focusing on the contrasting sounds of rural and urban environments.

Stephanie Gray‘s ruminations on Saint Anthony of Padua Roman Catholic Church on Manhattan Avenue in Greenpoint.

Jenifer Kaminsky‘s exploration of the ghosts trapped within the place names of Williamsburg and Greenpont.

Joan Linder and Stephanie Rothenberg‘s  Brooklyn-Beijing-Babble overlays the cacophonous sounds of modernizing Beijing onto the gentrifying neighborhoods of Williamsburg and Greenpoint.

Katherin McInnis‘ Phantom Highway, which follows the path of the never-built Bushwick Expressway through North Brooklyn, and offers a fragmentary and poetic essay on urban planning.

Paul Lloyd Sargent‘s Hydronym: Erie Basin Meets Erie Basin, which traces the Erie Basin, taking its name from a long history connecting Brooklyn to territories deep within the North American Midwest and ports all over the world.

Norm Scott‘s field recordings from 2005 of spaces surrounding the (then) abandoned McCarren Park Pool. The sounds harken back to summertime at an abandoned magical swimming pool.

This exhibition is part of a series celebrating the

2009/2010 AIRtime Fellowship Recipients: Zach Poff (July 2-11), Sabine Gruffat & Bill Brown (July 16-25), and Brett Balogh (July 30-August 14.)

More information is at:

http://www.sabinegruffat.com/BIKEBOX/
http://www.areyoudevoted.com/
http://www.free103point9.org/events/2248

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If you don’t know, now you know…

Pizza is Art from Jonny Farrow on Vimeo.

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Oops..I forgot to post this earlier, but then, most of you are not in Vienna. In any event, below is a link to The Shelter Project’s Blog — my friend/collaborator Nicolas Dumit Estevez and I put together a conceptual audio piece that was installed in the Projektwerkstatt SOHO, Vienna. The work is related to Nicolas’s project concerning the embodiment of the Infant of Prague.

http://theshelterproject.wordpress.com/contributors/


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Howdy Friends!
Here, ’tis. The Inaugural 5th Avenue Storefront Art Walk in Bay Ridge, BK. Many stores, mucho art. I will have a piece in my local pizzeria, Rocco’s — a single-channel video work. Come on out between May 21 and June 7 to walk the Avenue and check out the art! Oh, and gimme a holla if you wanna do the stroll!

And, here’s a map of where you will find the art: http://www.bayridgebid.com/Artwalk%202010.htm

Hope to see you on the streets of the Ridge, but until then, below are some stills of the video.

Best,

Jonny

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Occult Scenes From Brooklyn from Jonny Farrow on Vimeo.

This is a low-res realization of the video performance from Diapason on 4/28.
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Below are documents that represent the working process for creating this piece. The first slide is a rough analysis of the electro-acoustic music I composed for the work. From this document I began to associate pieces of video, potential transitions/juxtapositions and parameter manipulations.


Next, I devised the score as a set of images and instructions to follow during performance.


This slide shows how to prep the patch I designed as my “video instrument.”


This slide shows the video instrument I “played.”


This slide shows the back end of the patch.

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Hello Friend:

Just writing to let you know about two exciting upcoming shows. The first is the latest edition of the Giant Ear))) show which is being webcast this Sunday evening (4/25) from 7-9 pm on http://www.free103point9.org. It features recordings submitted by the students in my “Wireless Music” class at the Center for Worker Education. And, as always, if you can’t listen to the stream in real-time on Sunday eve, not to worry, you can find the show by accessing the free103point9 archive located here and searching for “Giant Ear))) Favorite Sounds.”

The second show that I am REALLY excited about is coming up this Wednesday evening (4/28) — 8pm at Diapason Gallery in Brooklyn. I will be premiering/performing a new video work that I created while participating in the first Diapason-hosted Video Composition Workshop (VCW). I’ve really been pushing pixels over here in my studio! What makes this show even more exciting is the artists involved. Check out this lineup: Jon Giles (aka Naval Cassady), Nisi Jacobs (w/Michael Schumacher), Philip White, Dan Winckler and Adam Kendall. Wow!

A much more detailed description of the VCW is below. And, the performers are also going to briefly talk about their work and a nice program will be available that describes the workshop and a bit about each performer and their process.

Diapason Gallery is located at:

882 THIRD AVENUE, 32/33 STREETS, 10TH FLOOR BROOKLYN NY 11232

Take the R train to 36th Street in Brooklyn and walk west toward the BQE — the building is bewteen 32nd and 33rd streets just west of the BQE.

It’s going to be a great night and I hope to see you there!!!

Sincerely,

Jonny

_________________________________

The VCW Performance

Wednesday,  April 28
8pm
$7 suggested

The VCW Performance is a show of live video pieces created as part of the Video Composition Workshop.
The Video Composition Workshop is dedicated to writing performative video pieces. It explores how artists approach their compositions and how they notate the scores from which the videoists perform.

This show presents the completed compositions, works-in-progress, and experiments of six videoists and musicians resulting from the first six-week salon. Pieces include video paired with acoustic instruments, analog electronics, and digital audio. The evening will end with the VCW composers discussing their various approaches. (We’re as wary as you are of endless artist discussions. We’ll stay focused and concise.)

Live video has made some great advances in the past years. Technological capabilities and popular awareness are making it more integral to contemporary performances. VCW is happy to present 6 approaches to working with video as a dynamic, performative art.

Compositions by:

Naval Cassidy (aka Jon Giles) (including performers Roland Brown, David Hainsworth and Jonathan Moniaci)

Jonny Farrow

Nisi Jacobs (including performer Michael Schumacher)

Adam Kendall (including performers Christof Knoche and Eileen Mack)

Phillip White

Dan Winckler


http://www.diapasongallery.org Diapason is supported by NYSCA, the New York City Department of Cultural Affairs, the Phaedrus Foundation, the Foundation for Contemporary Performance Arts, MediaThe Foundation, The Trust for Mutual Understanding, Kirk Radke, and by generous individuals. Diapason is a 501(c)3 organization.


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Hi Gang:

If you didn’t make it to PPOW gallery last Thursday (4/22), here’s a link to some photos and a couple of brief videos so you can get a sense of what exactly happened.

http://www.flickr.com/photos/ppowgallery/sets/72157623792133027/

Enjoy,

Jonny

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Dear God:

Please forgive me for lifting this post wholesale from the latest WFAE newsletter. Click here for access to the original.

Yer Pal,

Jonny

Sound in Context (Full Film) from Sound and Music on Vimeo.

Video: Sound in Context. Sound in Context is a short documentary exploring the unique practice of sound within the visual arts world. Through conversations with a number of key art institutions/galleries, artists and curators working with sound in the UK and abroad, Sound in Context allows practitioners to discuss some of the issues of presenting and exhibiting sound in the gallery and contemporary art domain.
Sound as a medium is time-based and is sensitive to space, perception/experience and environment, and has become intertwined with disciplines of sculpture, architecture, installation, film and media art. The ephemeral, invisible nature of sound poses a number of challenges within cultural practice and presentation. Situated between practices of music and art, sound overflows boundaries of the gallery, disrupts the line between stage and audience, moves beyond categorizations, and merges models of economy and culture industry. Sound in Context explores the place and future of sound within an expanded arts milieu, while opening up reflections for sound artists engaging in the art world, and visual artists engaging with sound in their work. This film includes interviews with: Seth Cluett (artist), Benedict Drew (artist/curator), Barry Esson (director, Arika), Anne Hilde Neset (deputy editor, The Wire), Hans Ulrich Obrist (co-director, Serpentine Gallery), Mike Stubbs (director, FACT), David Toop (writer/curator), Richard Whitelaw (programme director, Sonic Arts Network)
Produced by: Jonathan Webb and Ashley Wong. Thanks to: The Jerwood Space, Goldsmiths’ University of London, Sonic Arts Network, Nicolas Sauret, Arika, FACT Liverpool, Serpentine Gallery, The Wire and Arika. Total runtime: 30min, 2009. This film is archived on the VIMEO web site.

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