Posts Tagged “free103point9”

Hello Friends:

Yours truly will be doing a video performance on 7/17 @ Devotion Gallery in Williamsburg in conjunction with the BIKE BOX project. See below for the details.
Best,

Jonny

July 16, 2010: 6 p.m. – July 25, 2010

Devotion Gallery
54 Maujer Street
near the corner of Maujer and Lorimer Streets
Brooklyn, NY 11206
803-386-8330

Curated/Organized by: free103point9

Join us for an opening reception on Friday July 16, 2010 6 p.m.-10 p.m. to celebrate Sabine Gruffat and Bill Brown’s Bike Box.

Sabine Gruffat is an interdisciplinary artist whose work maneuvers through, manipulates, and challenges prescribed genres and codes. Bill Brown seeks to correlate geographical coordinates with conceptual ones in his work, such as uncovering the memories and histories folded up inside physical landscapes and borders.

The Bike Box is a mobile-media bicycle library and interactive installation housed in the Devotion Gallery. Bike Box allows participants to check out cheap, durable, technology-enhanced bikes and a free open source iPhone application developed by David Gagnon of the Games Learning Society at UW-Madison especially for this project. As participants pedal around central Brooklyn, they are able to contribute site-specific audio through the iPhone application, as well as listen to a curated collection of geo-specific sounds provided by a variety of local land-use experts, historians, poets, artists, and other interpreters.

The Bike Box hopes to explore and give participants access to the layers of lived experience, personal anecdote, and history that are piled up invisibly on every street corner and city block.

The Bike Box will also host a number of performances and special events during the exhbition at Devotion Gallery:

Saturday July 17, 2 p.m.
Sunday July 18, 2 p.m.
Saturday July 24, 2 p.m.
Sunday July 25, 2 p.m.
Sabine Gruffat and Bill Brown will be leading bike tours through Bike Box geo-tagged sites in Brooklyn.

Friday, July 16th, 6 p.m.
Jesse Stiles performs using the Bike Box’s locative sound database as raw material for breaking beats.

Saturday, July 17th, 5 p.m.
Sound and video performance by Jonny Farrow using sounds and images from solo sound walks.

Curated contributions to Bike Box will include:

John Also Bennett‘s contact microphone recordings of audio frequencies emitted by power transformers, electric lights, and air conditioners throughout Brooklyn.

Jonny Farrow‘s contact mic’d bicycle ride around the gallery neighborhood.

Rob Ray
‘s Pedal to the Mental invites cyclists to become “disorienteers” using geographic and environmental queues of Bike Box geotagged locations as launchpads for wonder, confusion, imagination, and adventure!

Dara Greenwald’s exploration of the conflict around the presence, disappearance, re-presence, and final re-direction of a well travelled bike lane in Brooklyn

Huong Ngo‘s interview with Mathieu Néron, the last shoemaker of Québec, collapses Brooklyn’s history as a leading shoemaker at the end of the 19th century with that of Québec City, which shares that industrial past.

Cathleen Grado‘s field recordings drawn from locations in Ridgewood and Bushwick, focusing on the contrasting sounds of rural and urban environments.

Stephanie Gray‘s ruminations on Saint Anthony of Padua Roman Catholic Church on Manhattan Avenue in Greenpoint.

Jenifer Kaminsky‘s exploration of the ghosts trapped within the place names of Williamsburg and Greenpont.

Joan Linder and Stephanie Rothenberg‘s  Brooklyn-Beijing-Babble overlays the cacophonous sounds of modernizing Beijing onto the gentrifying neighborhoods of Williamsburg and Greenpoint.

Katherin McInnis‘ Phantom Highway, which follows the path of the never-built Bushwick Expressway through North Brooklyn, and offers a fragmentary and poetic essay on urban planning.

Paul Lloyd Sargent‘s Hydronym: Erie Basin Meets Erie Basin, which traces the Erie Basin, taking its name from a long history connecting Brooklyn to territories deep within the North American Midwest and ports all over the world.

Norm Scott‘s field recordings from 2005 of spaces surrounding the (then) abandoned McCarren Park Pool. The sounds harken back to summertime at an abandoned magical swimming pool.

This exhibition is part of a series celebrating the

2009/2010 AIRtime Fellowship Recipients: Zach Poff (July 2-11), Sabine Gruffat & Bill Brown (July 16-25), and Brett Balogh (July 30-August 14.)

More information is at:

http://www.sabinegruffat.com/BIKEBOX/
http://www.areyoudevoted.com/
http://www.free103point9.org/events/2248

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Hello Friend:

Just writing to let you know about two exciting upcoming shows. The first is the latest edition of the Giant Ear))) show which is being webcast this Sunday evening (4/25) from 7-9 pm on http://www.free103point9.org. It features recordings submitted by the students in my “Wireless Music” class at the Center for Worker Education. And, as always, if you can’t listen to the stream in real-time on Sunday eve, not to worry, you can find the show by accessing the free103point9 archive located here and searching for “Giant Ear))) Favorite Sounds.”

The second show that I am REALLY excited about is coming up this Wednesday evening (4/28) — 8pm at Diapason Gallery in Brooklyn. I will be premiering/performing a new video work that I created while participating in the first Diapason-hosted Video Composition Workshop (VCW). I’ve really been pushing pixels over here in my studio! What makes this show even more exciting is the artists involved. Check out this lineup: Jon Giles (aka Naval Cassady), Nisi Jacobs (w/Michael Schumacher), Philip White, Dan Winckler and Adam Kendall. Wow!

A much more detailed description of the VCW is below. And, the performers are also going to briefly talk about their work and a nice program will be available that describes the workshop and a bit about each performer and their process.

Diapason Gallery is located at:

882 THIRD AVENUE, 32/33 STREETS, 10TH FLOOR BROOKLYN NY 11232

Take the R train to 36th Street in Brooklyn and walk west toward the BQE — the building is bewteen 32nd and 33rd streets just west of the BQE.

It’s going to be a great night and I hope to see you there!!!

Sincerely,

Jonny

_________________________________

The VCW Performance

Wednesday,  April 28
8pm
$7 suggested

The VCW Performance is a show of live video pieces created as part of the Video Composition Workshop.
The Video Composition Workshop is dedicated to writing performative video pieces. It explores how artists approach their compositions and how they notate the scores from which the videoists perform.

This show presents the completed compositions, works-in-progress, and experiments of six videoists and musicians resulting from the first six-week salon. Pieces include video paired with acoustic instruments, analog electronics, and digital audio. The evening will end with the VCW composers discussing their various approaches. (We’re as wary as you are of endless artist discussions. We’ll stay focused and concise.)

Live video has made some great advances in the past years. Technological capabilities and popular awareness are making it more integral to contemporary performances. VCW is happy to present 6 approaches to working with video as a dynamic, performative art.

Compositions by:

Naval Cassidy (aka Jon Giles) (including performers Roland Brown, David Hainsworth and Jonathan Moniaci)

Jonny Farrow

Nisi Jacobs (including performer Michael Schumacher)

Adam Kendall (including performers Christof Knoche and Eileen Mack)

Phillip White

Dan Winckler


http://www.diapasongallery.org Diapason is supported by NYSCA, the New York City Department of Cultural Affairs, the Phaedrus Foundation, the Foundation for Contemporary Performance Arts, MediaThe Foundation, The Trust for Mutual Understanding, Kirk Radke, and by generous individuals. Diapason is a 501(c)3 organization.


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Hi All:

Tune in this eve to the latest installment of GIANT EAR))). Follow the free103 link below at the appointed hour, sit back and enjoy.

All the Best,

Jonny
_____________________________________________________

free103point9 Online Radio Event

GIANT EAR))) HEATER OR WATER HAMMERS

Hosted By Bleakley McDowell
Dec. 27, 2009: 7 p.m. – 9 p.m.—Eastern Standard Time (NYC)

Curated/Organized by: New York Society for Acoustic Ecology

Deep winter approaches. Instant, drastic climate change aside, it will be getting colder. In the majority of New York City buildings this means old steam radiators will be sputtering to life. The first half of today’s broadcast is collection of recordings of these radiators from various apartments. Listen for the water hammer…it’s getting hot in here. We follow that with paranoid, beyond-the-grave wax cylinder recordings and a journey to mystical Surakarta, Indonesia. False gong – neither a beginning nor an end, a start nor a finish. With work by Edmund Mooney, Jonny Farrow and Bleakley McDowell.

http://www.nyacousticecology.org/

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What?: The New York Society for Acoustic Ecology Presents another installment of GIANT EAR)))

When?: Sunday, Nov. 29, 2009: 7 p.m. – 9 p.m.

How?: free103point9 Online Radio — click here to go to their site and launch your media player

Description: This edition of Giant Ear))) is hosted by Hunter Inter-Media Arts/MFA candidate Bleakley McDowell focusing on Hunter graduate student work from NYSAE Co-Chair Jonny Farrow’s Sound Environments class. You will hear a wide range of NYC sounds from the Bronx to the Battery and points east and west. The show will feature works by: DaHye Lee, Elizabeth Knafo, Meredith Goncalves, Melissa Hacker, Samantha Stalling, Satoko Sugiyama, Bob, Kate Kunath, Megan Sperry, Nicole McNeill and Sean Weiner.

Click the link below for more about NYSAE.

http://www.nyacousticecology.org/

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NYSAE AND FREE103POINT9 RADIO FEST MOBILE SOUNDWALK

Presented in collaboration with Art in Odd Places and free103point9

Date: Saturday 24 October

This project is a co-presentation with both Art in Odd Places and free103point9’s Radio Festival NYC 2009, a fall festival of radio art and experimentation which takes place at The Ontological Theater at St. Mark’s Church in the East Village 20-24 October. Audiences will participate in the walks whose trajectories will lead them to the Ontological Theater for the Radio Festival installations and performances on Saturday 24 October.
Members of the New York Society for Acoustic Ecology (NYSAE) will lead public soundwalks involving mobile broadcasting equipment. The public (soundwalkers) will use small FM receivers and headsets to tune in to multiple, simultaneous broadcasts from three mobile broadcasting units (carried by NYSAE members) all broadcasting different material on the same frequency starting from three different (Madison Square, Washington Square, Tompkins Square) parks north and south of 14th street. The different broadcasts will be a mix of several elements, pre-recorded nature sounds, historical soundscapes, and live broadcasts of the walk itself. The walkers will be lead, meandering across and around 14th street, eventually converging/colliding their broadcast perimeters separating again –hearing their own walk and hearing the other walk simultaneously. Walkers will also be able to hear the soundscape over their headphones as they walk and listen to the broadcast, experiencing a sort of hyper-reality through physical presence in the soundscape, the sounds of the broadcast and the overlapping of the broadcasts when the broadcast areas collide.
The walks will all begin at the same time and are timed to strategically overlap. The approach to the end of the walk is marked by the eventual reception of a broadcast from the Ontological Theater location. The groups then all arrive at the prescribed time at St. Mark’s church and enter the theater for the evening’s performances and installation presentations. Total time for the walk would be approx. 60-90 minutes.

Meet Time: 6:00 PM SHARP!

Duration: approx. 90 minutes

RSVP: jonnysounds@gmail.com

Meet @: various locations — you will receive an email with your meet-up location once you have RSVP’d

Visit this weblocation for more information: http://fm.hunter.cuny.edu/nysae/wordpress/?page_id=146

_________________________________

Presented in conjunction with:


Art in Odd Places 2009
SIGN
Direction. Ban. Authority. Solidarity. Advertisement. Ownership. Gesture. Enticement. Omen. Signature. Trace.
October 1-26, 2009
14th Street, New York City
A festival exploring the odd, ordinary and ingenious in the spectacle of daily life.
2009 guest curators:
Erin Donnelly and Radhika Subramaniam.

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July 5, 2009: 6 p.m. – 9 p.m.

Catskill Point
1 Main Street
Catskill, NY 12414
United States

Curated/Organized by: free103point9

Join free103point9 for an evening of listening at Catskill’s Historic Catskill Point on the Hudson River. Sound Mapping will feature a live performance from members of the New York Society of Acoustic Ecology (NYSAE), a conversation between artists Alexis Bhagat and Annea Lockwood, and Annea Lockwood’s canonical work “A Sound Map of the Hudson River.” Free admission. Audiences are encouraged to bring picnics. This is a family-friendly event, children are welcome.

This event is presented in conjunction with WGXC: Hands-on Radio in Greene and Columbia Counties, a project of free103point9. Special thanks to Patty Austin, Dick Brooks, and Greene County Economic Development, Tourism & Planning for facilitating the use of Catskill Point.

6 p.m.: Moving Water, New York Society of Acoustic Ecology (NYSAE)

Moving Water is a two-part interactive performance. The first part is a tuning of the audience– NYSAE members will guide participants through “Ear Cleaning” exercises and help to activate their ears for focused listening to the immediate soundscape. In the second part, NYSAE conducts the audience in an improvised sound-making performance, documenting the resulting mixture of gestures and sound in the field of shared space. The audience will be split into groups and instructed to make sounds of varying timbre and texture around the theme of moving water. Through the listening exercises and performance, NYSAE aims to provide the audience with listening tools to take away from the event as well as preparing them for Annea Lockwood’s subtle and beautiful work.

Performers from NYSAE: Andrea Callard, Jamie Davis, Jonny Farrow, Todd Shalom and Andrea Williams.

6:40 p.m.: Introduction and interview with Annea Lockwood conducted by Alexis Bhagat.

7 – 9 p.m.: A Sound Map of the Hudson River: Annea Lockwood, recording, mixing; the Hudson River

A Sound Map of the Hudson River is an aural journey from the source of the river, in the high peak area of the Adirondacks, downstream to the Lower Bay and the Atlantic Ocean; Lockwood traces the course of the Hudson through on-site recordings of its flow at 15 separate locations. Annea Lockwood has recorded rivers in many countries to explore the special state of mind and body which the sounds of moving water create when one listens intently to the complex mesh of rhythms and pitches. The listener will find that each stretch of the Hudson has its own sonic texture, formed by the terrain, varying according to the weather, the season and downstream, the human environment whose sounds are intimately woven into the river’s sounds.

At Catskill Point (July 5, 2009,) interviews conducted by Lockwood about the Hudson River are simultaneously transmitted and accessed by attendees though portable radios with headphones. Note: a version of this project is available on CD through Lovely Music. See: http://www.lovely.com/titles/cd2081.html.

About the Artists

The New York Society for Acoustic Ecology (NYSAE) is a membership organization that advocates listening and promotes public dialogue about the urban sound environment. NYSAE creates and encourages new ways of encountering sound and provides resources and information on acoustic ecology. Through projects, lectures, performances, exhibitions, festivals, publications and broadcasts, NYSAE addresses historical and contemporary local, national and international sound issues. Please visit: www.nyacousticecology.org.

Alexis Bhagat‘s work is dedicated to the destruction of authorship and authority through the cultivation of new forms for radically poly-vocal sound, transmission of promiscuous conversation, and obsessive never-ending correspondence. He is the curator of ((audience)), a nomadic festival of surround sound compositions.

Annea Lockwood was born in 1939 in Christchurch, New Zealand where she received her early training as a composer. After completing a B.Mus (hons) she went on to study composition at the Royal College of Music in London, with Peter Racine Fricker (1961-63); at the Darmstadt Ferienkurs fur Neue Musik (1962-63); and with Gottfried Michael Koenig at the Musikhochschule, Cologne, Germany and in Holland (1963-64). Returning to London in 1964, she freelanced as a composer-performer in Britain and other European countries until moving to the USA in 1973. There she continued to freelance and teach, first at CUNY, Hunter College, then, from l982 and at present on the faculty of Vassar College, NY.

During the 1960s she collaborated frequently with sound-poets, choreographers and visual artists, and created a number of works which she herself performed, such as the Glass Concert (1967), later published in Source: Music of the Avant-Garde, and recorded on Tangent Records, then on What Next CDs. In this work a variety of complex sounds were drawn from industrial glass shards and glass tubing, and presented as an audio-visual theater piece. In synchronous homage to Christian Barnard’s pioneering heart transplants, Lockwood created the Piano TranspIants (1969-72), in which old, defunct pianos were variously burned, “drowned” in a shallow pond in Amarillo, Texas, and partially buried in an English garden.

During the 1970s and ’80s she turned her attention to performance works focused on environmental sounds, life-narratives and performance works using low-tech devices such as her Sound Ball (a foam-covered ball containing 6 small speakers and a radio receiver, originally designed to “put sound into the hands of” dancers). World Rhythms (l975), Conversations with the Ancestors (1979, based on the life stories of four women over 80), A Sound Map of the Hudson River (l982), Delta Run (1982, built around a conversation she recorded with the sculptor Walter Wincha, who was close to death), and the surreal Three Short Stories and an Apotheosis (l985, using the Sound Ball) were widely presented in the US, Europe and in New Zealand.

She turned to writing for acoustic instruments and voices, sometimes incorporating electronics and visual elements, in the 1990s, producing pieces for a variety of ensembles: Thousand Year Dreaming (1991) is scored for four didgeridus and other instruments and incorporates slides of the cave paintings at Lascaux; Ear-Walking Woman (1996), for pianist Lois Svard, invites the pianist to discover a range of sounds available inside the instrument, using rocks, bubble-wrap, bowl gongs and other implements; Duende (1997) a collaboration with baritone Thomas Buckner, carries the singer into a heightened state, similar to a shamanic journey, through the medium of his own voice.

Much of her music has been recorded, on the Lovely, XI, ?What Next?/OO Discs, Rattle Records (NZ), Harmonia Mundi, CRI and Finnadar/Atlantic labels. -http://www.lovely.com/bios/lockwood.html

Note: This event will be documented (including videotape.)

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McDOSBEV is a ridicuouls acronym for this multi-part show: Mexico City Dispatch/Owl Sounds/Bird’s Ear View — The April 2009 installment of GIANT EAR))) features an Andrea Polli report and recording from the most recent World Forum for Acoustic Ecology held in Mexico City in March. Also, host, Jonny Farrow will be playing owl sounds, real and imitated, some owl recordings from Andrea Callard, as well as an interview and recordings with artist Rob Peterson concerning his collaborative project “Bird’s Ear View.”

You can tune in on Sunday April 26, 7-9pm on www.free103point9.org

For more info on the Bird’s Ear View project visit: http://www.studiowolkowicz.com/
and Rob Peterson:  http://www.danholepond.com

JF

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Jan. 25, 2009: 7 p.m. – 9 p.m.

free103point9 Online Radio

Curated/Organized by: New York Society for Acoustic Ecology

The monthly show from the New York Society for Acoustic Ecology, this month curated and produced by David Watson. This show includes an older piece from Dallas Simpson, “Releasing the Bird of the Soul,” originally intended for the Sacred Spaces show. Also three pieces, with interviews exploring the act of recording and replaying : natural sound recordist Grant Finlay; Live foley performer Sam Hamilton, and sound effects designer Rowan Watson. Intermissions by the Cicada Raiders.

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Nov. 30, 2008: 7 p.m. – 9 p.m.

free103point9 Online Radio

“Over the River and Through the Woods…” A reminiscence? An interrogation of the holiday industry? A meditation on rivers and woods? To grandmother’s house we go? Re-making the holidays as you would like them to be as an adult? Perhaps none of these questions will be answered. But is it possible to smell gingerbread cookies while listening to a webcast? Hosted by New York Society for Acoustic Ecology co-chair Jonny Farrow, this show will focus on home recordings, holiday songs, and dusty memories from the shelves of holidays past. So, put on your pj’s, pour yourself a hot apple cider and curl up next to your laptop.

NYSAE’s weekly, two-hour radio show webcasting recordings of the NYC soundscape, (wo)man-on-the-street public interest interviews, live on-site sound explorations, special guests, and more. New show updated each month.

http://www.free103point9.org

GE))) Over the River and Through the Woods Playlist

Time/Track/Artist/Album/Other Info
00:00:00 Intro Frederic March and Nathaniel Shilkret Hark! The (Y)ears – Recorded Voices of Actual Celebrities – Capitol S282
00:00:55 Over the River and Through the Woods/??/Midi file From the internet
00:01:10 Over the River and Through the Woods/??/Midi file From the internet
00:02:05 Your Host Speaks…/ Jonny Farrow/ Jonny Farrow intros the show
00:03:24 Confluence of Patterson Brook and the Hudson River/Annea Lockwood/A Sound Map of the Hudson River
00:07:36 Deep River/Paul Robeson/The Great Paul Robeson
00:08:58 Hudson River at the Mt. Marcy Trail Head/Annea Lockwood/A Sound Map of the Hudson River
00:10:00 Texas Falls, VT/ Jonny Farrow/Mixes in with Annea Lockwood track above
00:12:26 The Negro Speaks of Rivers/Langston Hughes/Our Souls Have Grown Deep Like the Rivers — Black Poets Read Their Work
00:13:20 Man on the Street/ Jonny Farrow/West Side of Union Square 11/21/08
00:19:12 Walking in Bryce/Jonny Farrow/Field recordings from Bryce Canyon, UT — Spring 2006
00:24:36 Interview with Jonny Farrow’s Mom/Jonny+Mom/Interview about riverhead hunting — recorded 11/22/08
00:30:28 I am a Pilgrim/George Pegram/Bury Me Beneath the Willow — A Treasury of Southern Mountain Folksongs and Ballads — Washington Records WLP 734
00:33:09 Interview with the host’s Mom — Continued
00:36:16 Halleluja Chorus/GF Handel/Handel’s Messiah; Kurt von Baum/Homburg Symphony
00:38:40 More Man on the Street/Jonny Farrow /West Side of Union Square 11/21/08
00:41:20 Over the River and Through the Woods/??/Midi file From the internet
00:42:32 Young and Fair/I am Growing Old/Jonny’s Grandma/Home tape made by the host’s mom
00:45:52 The Banks of the Ohio/Harry West, Jeanie West/Bury Me Beneath the Willow — A Treasury of Southern Mountain Folksongs and Ballads — Washington Records WLP 734
00:46:56 Bury Me Beneath the Will/Harry West, Jeanie West/Bury Me Beneath the Willow — A Treasury of Southern Mountain Folksongs and Ballads — Washington Records WLP 734
00:48:58 Summer sounds from “The Woods”/ Jonny Farrow/Field Recording from West Virginia
00:52:55 Roaring Camp and Big Trees, Heisler #2/Steam Engine Recordings/ Journey to Yesterday Vol. 2 — Arkay Enterprises AR1013
Roaring Camp and Big Trees, Shay #1/Steam Engine Recordings/Journey to Yesterday Vol. 2 — Arkay Enterprises AR1013
00:57:16 Chant Down Babylon/Jonny Farrow/Music Created for Nicolas Dumit Estevez’s “Last Supper”
01:03:18 On the Wall/Jonny’s Grandma/Home tape made by the host’s mom
01:05:25 Birches/Robert Frost/The Cademon Treasury of Modern Poets Reading their Own Poetry — Cademon TC 2006
01:08:24 The Tree on the Sky/Loren Chasse/the air in the sand — naturestrip NS3004
01:15:12 American Game Birds/John James Audobon/National Audobon Society — Birds of North America
01:23:16 Baby It’s Cold Outside/Dean Martin/Making Spirits Bright — Capitol72434-95735-2-9
01:25:36 Cowbell/Thomas J Valentino Inc./Major Records Presents Sound Effects Vol 7
01:25:52 I Wonder as I Wander/Barbara Streisand/A Christmas Album
I Wonder as I Wander/Price/Fiedler/Lawrence/Gorme/Christmastime in Carol and Song
01:28:04 Various flushing and water sounds/Thomas J Valentino Inc./Major Records Presents Sound Effects Vol 7
01:29:26 Cocktail Party/Thomas J Valentino Inc./Major Records Presents Sound Effects Vol 7
01:31:09 Warm Fronts, Cold Fronts/Tom Glazer/Weather Songs from ballads of the age of science…
01:34:22 what if a much of a which of a wind/e.e. cummings/The Cademon Treasury of Modern Poets Reading their Own Poetry — Cademon TC 2006
01:36:24 Thanksgiving Theme/Vince Guaraldi/Charlie Brown Holiday Hits
01:38:18 Selection from Cadestral Map/Jill Magi (read by same)
01:39:20 Music From the Macy’s Thanksgiving Day Parade Website/Various
01:40:22 Bucolics: Streams/W.H. Auden/W.H. Auden Reading…
01:44:56 Broken Household Appliance National Forest/Grandaddy/The Sophtware Slump
01:46:14 Hyrax, Wildebeest, Hyena, Vervet Monkey, Rhinoceros/Various/Animals of Africa – Sounds of the Jungle
01:49:25 Bucolics: Woods/W.H. Auden/W.H. Auden Reading…
01:52:28 Thanksgiving Show/The Philco Bendyx Sunshine Company/Undergroundhog — cassette
01:53:10 Snowflake, Snowflake/Tom Glazer/Weather Songs from ballads of the age of science…
01:55:02 Cold Turkey/Ferrante and Teicher/Dynamic Twin Pianos
01:57:35 Tales from the Vienna Woods/Jesse Crawford/The Poet of the Organ
01:59:15 Your Host Speaks…/Jonny Farrow closes the show

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